ACTING FOR TEENS: TV, FILM and COMMERCIALS Eight-Week Spring Intensive (Kids ages 12-16)


Photo: Acting in Columbus student Hanani Taylor appearing on LIVE at the APOLLO. After much preparation and a round of recent auditions in LA (including Disney and Nickelodeon) Hanani is moving to LA. Click here to read the FULL STORY




ACTING FOR TEENS: TV, FILM and OMMERCIALS Eight-Week Spring Intensive (Ages 12-16)

Saturdays, beginning April 10 - June 5, 2010* 10:00am-12:00pm $150
 
This class is limited to 14 students.
As of April 6, 2010 there are five (5) slots still available.

This on-camera intensive is designed to enable the actor to handle commercial auditions, film and TV sides, scenes, and monologues for film. Working with the camera, actors will break down scenes to discover the humor, emotional moments, pacing, beats and more. The class will also explore the fundamentals of film and commercial auditioning, including slating and how to interview effectively, while exploring the entire audition scenario. The class will focus on strengthening performances and working with confidence in front of the camera during cold readings as well as prepared sides.
All exercises and scenes are video-taped with playback critiques an essential part of class time. All students will receive a DVD DEMO REEL of their work at the conclusion of this workshop.

Friends and family members are invited to attend the WRAP PARTY on Saturday June 5, 2010 12:00pm for the screening of Student's DEMO REELS. Parents will receive information on how to navigate "the business" and manage their young performers' careers.
**Class will not be held on Saturday May 29, 2010.

 


Former ACTING IN COLUMBUS students Remy Brommer and Grace Ameter were cast in supporting roles in the film SPEAK starring Kristen Stewart while attending the Acting for Film Intensive.

Beginning Acting for Film Students' Final Scenes!

The Winter session of the Acting for Film for Beginners class ended last Wednesday with a Wrap Party at DIRTY FRANKS restaurant downtown.  Posted below are their final scenes. Excellent work for students who came to this class with little or no experience!

Acting in Columbus - Acting for Film - Final Scenes from Richard Mason on Vimeo.

ACTING FOR FILM EIGHT-WEEK SCENE STUDY
Acting Fundamentals for beginners

Wednesdays, beginning March 24, 2010 7:00pm-9:30pm $200


As of March 17, 2010 there are still five (5) slots available. Call 614-455-0881 for late registration.
This class offers a focused introduction to the acting process. Beginning actors work, stage, and shoot several film scenes during the eight-week session. We work in depth on concepts central to the actor's role development for film. We use Shurtleff's 12 Guideposts as our basic text to help students make strong choices with a wide variety of scenes and monologues. Your ability to make active, personal choices is essential for dynamic auditions and performances for stage and film.

UPCOMING AUDITIONS

FILM 

Music Video

A music video for a song entitled "Yer Browns Fan Blues," an entertaining tribute to long-suffering Browns fans. The song is Chicago blues expressing Cleveland fan loyalty/frustration, all strengthened by a video of my own creation. Auditions are scheduled for March 27 in Beavercreek, Ohio. Details can be found at  http://www.facebook.com/l/98b95;nickeljar.net/auditions.html 

This will be a 2 day shoot. Production is tentatively set for April 17 and 18.

THEATRE

Curtain Players Auditions 03.28.10 & 03.29.10


Mauritius by Theresa Reback Directed by April Olt

Stamp collecting is far more risky than you think. After their mother's death, two estranged half-sisters discover a book of rare stamps that may include the crown jewel for collectors. One sister tries to collect on the windfall, while the other resists for sentimental reasons. In this gripping tale, a seemingly simple sale becomes dangerous when three seedy, high-stakes collectors enter the sisters' world, willing to do anything to claim the rare find as their own.

CAST BREAKDOWN Cast of five: 3 men, 2 women

Jackie — 20s Edgy and hardened by life, yet naïve (or is she?). She was left alone to care for her dying mother. She is now in possession of the stamps she believes to be hers and ready to take on all comers.

Mary — 30s Jackie's elder half-sister, calm, tough, polished and prepared to defend her interests.

Philip — 40s–60s Owner of a stamp shop, distrusting, shady and calculating. Age unimportant.

Dennis — 30s–40s A sometime stamp dealer and freelance con man. He is charming and attractive, and he uses this to his advantage.

Sterling — 40s—60s A wealthy gangster, charming until crossed. He commands a room without trying.

Auditions are on Sunday, March 28 and Monday, March 29 at 6:30pm at Curtain Players Theatre. Auditions will consist of cold readings from the script. Actors may be asked to attend callbacks on Tuesday evening at 8:00pm.

Please read the script prior to the auditions. You may check out scripts through the director for 48 hours. Note: While Mauritius explores a "battle of wits," it also contains physical battles. In other words, the actors should be able to participate in intense stage combat scenes. If you have any questions or if you would like to check out a script, please contact the director, April Olt, at april.olt@gmail.com or 614-406-8931.

STUDENT UPDATES

Chris Downing - good luck in Chicago with your callback for the new TV Pilot by Shawn Ryan, who created the iconic cop drama THE SHIELD. Fox has purchased the pilot for "Ridealong," a new drama series created by Ryan. It will be shot entirely in the Windy City. Also,click on this link to see his SEARS Commercial.

Break a Leg Hanani! Good luck on your audition in LA for 'BUTTER'. Jennifer Garner stars. Butter centers on a young orphan who upon being adopted by a Midwestern family, discovers she has an uncanny talent for butter-carving. Her abilities pit her against the ambitious wife of the retired reigning champion in a town’s annual butter-sculpting contest.


Allison Leonard was recently cast in the lead role in the Media 419 film The Shartz-Metterklume Method.






Daniel Katz was recently cast in a SAFE AUTO commercial and the short film "Reincarnate" by Trey Kauffman. Daniel  is also appearing in "Silent Offerings", a short film for the 168 film project.




Leah Distelhorst is currently appearing in Columbus Children's Theatre Production of The Somewhat True Adventures of Robin Hood which opened last weekend. Click here for more information: Columbus Children's Theatre




Christine King was recently cast in a Independent Feature Film Pilot and  also been cast for the short film "Reincarnate" by Trey Kauffman.




Kelsey D. is currently in rehearsals for On The Verge Productions' world-premiere of High School Drama. Performance dates: March 25, 26, 27, April 2,3,9,10 at the Columbus Performing Arts Center. Click here for more information: ON THE VERGE PRODUCTIONS



Ryan Grant is shooting a Safe Auto commercial next week. 
Check out Brooke Singleton's SAFE AUTO Commercial:

How Risk Unleashes Creative Expression!



There's a drive in me that won't allow me to do certain things that are easy. - Johnny Depp


To risk is to be exposed to the possibility of a loss or harm. To be risk adverse is to say to yourself, "If I do this thing I might lose something I value or something bad could happen to me. Better to stay right where I am or take a safe route, follow the path of least resistance." Remaining stagnant sucks the life energy out of the creative person. To churn out safe, predictable work that will elicit familiar and expected responses is unfulfilling to an artist, a creative person in any endeavor, who yearns to express his or her full potential.

"The thing is doing it, that's what it's all about. Not in the results of it. After all what is a risk? It's a risk not to take risks. Otherwise, you can go stale and repeat yourself. I don't feel like a person who takes risks. Yet there's something within me that must provoke controversy because I find it wherever I go. Anybody who cares about what he does takes risks." - Al Pacino

Risk involves opening yourself, being vulnerable, to change and growth. To risk is to stand centered in the truth of who you are, what you wish to express as your life purpose using the full potential of your unique gifts that are your birthright. To risk is to have ability to ignore your need for other's approval in order to take the most appropriate action for you to achieve that expression.

It is often this loss of approval that people fear most. They would rather remain small, locked in by the chains of conformity to the expectations of others, than shine the light on what their heart is yearning to express. But risk must be taken, because the greatest hazard in life is to risk nothing. The person who risks nothing, does nothing, has nothing and is nothing.

If as a baby you chose not to risk falling you never would have walked. You risked appearing the fool by laughing at what tickled your funny bone. You loved another person by risking losing that love. You expose your feelings and expose your self to criticism and rejection. You grew and evolved. Where you struggle is where you have held back your authentic expression.

Actors learned how to tap into their own inner power and wisdom to take risks, go beyond the comfort zone of safety and expose themselves to criticism, loss of favor among the public and their peers in order to expose the range of emotions and feelings that will bring truth to the character, their role. One cannot express truth without risk. To withhold truth is to show up inauthentically in your life.

"I completely take on the risk, the poker game, which being an artist means, and I'm going to try to make a film which honestly reflects what I have in my head." - Antonio Banderas

To remain safe, people will Find Excuses And Reasons (F.E.A.R.) not to take a risk. These fears will be rooted in the following egoic needs:

1. Approval
2. To avoid guilt
3. To be right
4. To avoid conflict
5. To avoid responsibility
6. To avoid failure
7. Certainty
8. Expectations to be met
9. To remain safe in status quo, negative or positive.
10. To affirm self-identifying beliefs, negative or positive.

"Actors are trusting souls, and we must go by gut-level instinct, even after our agents and business managers weigh all the odds." -Anne Archer

Some people forget that to risk is to also open up the possibility of a favorable outcome. Risks based in inspiration will always have a favorable outcome even if that outcome isn't realized immediately. A failure can lead to new knowledge, a new awareness, that will create unprecedented success at a later date. Risk, or an aversion to risk, base upon fear will always have a negative outcome. Not venturing into the unknown will limit the discovery of new ideas, new approaches, new perspective. To be creative is to actively think non-linearly and to let go of expectations while being open to new possibilities.

"Its fun to be on the edge. I think you do your best work when you take chances, when you're not safe, when you're not in the middle of the road, at least for me, anyway." - Danny DeVito

Only a person who risks is free. Taking risks grounded in what comes from the heart rather than the egoic mind sets the creative person free to explore beyond the boundaries of what is already known. To the inspired risk-taker there are no limitations, no boundaries on what can be expressed, brought forth unto experience. Anything is possible.

"I' m a firm believer in taking risks in life, because you`ll never get anywhere unless you do, and the more risk involved the greater the outcome - or the worse, but you never know so you've got to go for it." - Famke Janssen

Learning to see differently, learning how to reach for a new perspective, is the spark that ignites the creative spirit. The willingness to look through a new and different lens requires removing the rose colored glasses of safety. Allow yourself to break free of the chains of limitations imposed upon you by others and by yourself through your own fearful Inner Critic who works hard to keep you safe, right where you are now. Be willing to move beyond the convention and conformity of those who hold themselves and try to hold you back from moving beyond the here and now and what has always been. Honor your authenticity, trust your intuition.

"I've always taken risks, and never worried what the world might really think of me." - Cher

When you live life and approach your work inspired by your truth you will always be safe. You will always be fulfilled by this alignment with what you are here to express and your purpose in life. You will effortlessly invest yourself in your creative potential and enjoy the ride, the thrill of a lifetime.

CRAFT NOTES by Ed Hooks

WHAT MAKES ACTING EXCITING?

Acting at its best is dangerous, unpredictable and thrilling. A scene, whether it be from a light comedy like "All's Well that Ends Well" or a tragedy like "Medea", works best when something actually happens to the actors on stage. The theatrical experience requires true emotion in the present moment coupled with the pursuit of theatrical relevance and story telling. I stress this last part about relevance and story telling because far too many new actors have the misconception that emotion is enough to carry the show. The truth is that an audience doesn't much care about an actor's ability to make herself emote on stage and, if she does it too much, they will actually turn off to her altogether. The important element in a performance is how the character you are playing is surviving in life. It is via emotion that the audience relates to the proceedings (empathy) on stage, but it is an exploration of survival that delivers them to the theater in the first place. Remember that
acting is a shamanistic activity. Actors are teaching the tribe how to survive. Just as life involves risk, so to does an effective performance.

 
Unlike other artists such as painters and novelists, actors put their physical selves on the line. They are not writing about life experience nor are they painting impressions of it with pastels and
oils on a canvas. They're not taking photographs of it with a camera. Actors get out on the stage in front of an audience and, using their bodies and minds, make something happen in the present moment. When Caesar, in his dying moment, says to his son (yes, it is his son, but that's subject matter for another Craft Notes...), "And you, Brutus...", the moment is electric because it is about the very essence of life. If the actors are playing the scene well, the balance between life and death will hover over the stage, will be there in a distilled, almost tangible form. If you want to be an exciting actor, the name of the game is risk. That is why acting requires courage.

....AND NOW A FEW RANDOM THOUGHTS ABOUT FEAR

I talk to a lot of actors who are trying to get up the nerve to commit to a professional career or, in a smaller arena, to commit to true exposure in a scene in class. They are afraid of risk because
of the fear of the unknown. Anxiety is a factor of not being in the present moment. If you are anxious, you are worried about something that you fear is going to happen soon or something that has already happened. A key to good acting as well as to success in life is to have the courage to be in the present moment as you move forward.


Change is probably one of the most fearful aspects of life. The last time any of us had certifiable comfort and safety was when we were held to our mom's bosom. It is scary to love, scary to leave and scary to grow. It is scary to act, scary to move to Los Angeles and scary to admit that we are all ultimately alone. Every inch of growth in life involves extending yourself beyond the comfort zone you enjoyed a short while ago. Your option is to remain static or to embrace change. We are all afraid to some degree. Maturity involves accepting that that life is fearsome as well as thrilling. If it were not, this would be a boring world. Convert fear to excitement and get on with it. Capture the wind in your sail, and go forth. Breathe!

BOOK OF THE MONTH

Michael Caine - Acting in Film: An Actor's Take on Movie Making.

A master actor who's appeared in an enormous number of films, starring with everyone from Nicholson to Kermit the Frog, Michael Caine is uniquely qualified to provide his view of making movies. This new revised and expanded edition features great photos throughout, with chapters on: Preparation, In Front of the Camera - Before You Shoot, The Take, Characters, Directors, On Being a Star, and much more."Remarkable material ... A treasure ... I'm not going to be looking at performances quite the same way ... FASCINATING!"- Gene Siskel